Thursday, January 19, 2012
Edgar Allen Poe birthday
Friday, January 6, 2012
Tuesday, November 29, 2011
How to use peer review feature on turnitin ...
Tuesday, November 1, 2011
A Plethora of Words
intermittent, perverse, mused, coexists
ostensible, credulous, impartiality, implication
dejection, altruism, aloof, innocuous
prosaic, proverbially, panoramic, inexorable
Monday, October 31, 2011
Homework for Tuesday
Monday, October 24, 2011
Times articles
Use turnitin.com to file your work.
Articles: horses, Murakami, homework, bike trip, end of Nazism in Germany
Monday, October 17, 2011
Hurrah! More vocabulary!
irrepressible, lamentable, whimsical, nebulous aspirations
rambling, milieu, tumult, credulity, inclination
deluded, idiosyncrasies, foreboding, antagonistic, prosperity
Saturday, October 1, 2011
What are stories supposed to do?
“I’m looking for fiction that resembles the Thirty-Mile Woman from Toni Morrison’s Beloved: ‘She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.’ Or as Takashi Murakami puts it: ‘We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.’ I’m looking for fiction in which a heart struggles against itself, in which the messy unmanageable complexity of the world is revealed. Sentences that are so sharp they cut the eye."
Wednesday, September 28, 2011
More vocabulary words
Wednesday, September 14, 2011
Creativity and "flow"
Registering for Engrade ...
1) Go to Engrade at www.engrade.com.
2) Click on Sign Up, and then click on Student.
3) In the box provided put your information: teacher name-student id-special access code. Example: mrvilbig-284950604-5403.
4) Note: mrvilbig is spelled with no capitals or periods; I'll give you your special access code in class.
5) Click next and set your own username and password.
Once you are registered, you and your parents or guardians can check grades at any time.
Friday, September 9, 2011
9/11 Reactions
The playwright Christopher Shinn offers some thoughts on his personal reaction to the September 11 attacks and how they affected his writing. I'd like you to watch the video this weekend and think about his reaction for a discussion in class on Monday. What was the main way, in his view, that his focus as a writer changed? He questions whether television and movies will be able to address the profound issues raised by the September 11 events. Why do you think he takes this view? What are your own thoughts?
Thursday, September 8, 2011
Contact
Grades
Grades will be based on the following:
Tests/ at home writing and projects (including creative writing projects): 40 percent
Classwork, quizzes, and homework: 60 percent
Total: 100 percent
How we'll work:
For creative writing, we will use a workshop approach, in which you'll share your work with other writers in the class and get their feedback. (More on this later.)
For each book or literary work we read, you’ll be expected to read about 15 to 25 pages a night. In addition you will sometimes have homework in which you'll be asked to write brief responses or answer questions about your reading or topics for class discussion. You can expect that for each book or literary work, you'll write one at-home essay and have one to two tests. Pop quizzes occur whenever the teacher (me) gets the sense that students are not reading the material!
IMPORTANT: Grades are cumulative. That means the grades you make now count as much as the grades later in the semester. So it's important to work hard from the very beginning and not dig yourself into a hole in the first weeks of our class.
We will use Engrade, an online grading system in this class. I’ll give you information shortly about how to register. You’ll have your own account, where I’ll post grades. Your parents or guardians should be given access to your account.
Welcome to Creative Writing!
We will be focusing in this class on becoming skilled writers in a variety of genres, but our special emphasis will be on fiction. You'll be asked to write your own short stories and to respond to fictional works of literature in a way that demonstrates your increasing understanding of how fiction works.
This class will take the view that fiction remains one of the most powerful means by which human beings can pose basic questions about the meaning of their lives, about right and wrong, about their place in society, and even the nature of reality itself. In other words, fiction can be seen as a form of philosophy (the branch of knowledge that asks ultimate questions about the meaning of human life), and we'll approach it from the standpoint of the big ideas it addresses, while never forgetting that what makes fiction unforgettable is powerful and dynamic storytelling. Honing your skills in these areas will be a big part of what this course is about.
This class will involve a great deal of writing in which you will be asked to become a self-aware writer and creator, knowledgeable about the traditions of literature and conscious of the choices you make in creating a work. Because good writers are also good readers, we’ll read a wide variety of fiction of high literary polish. I’ll ask you to begin reading as a writer – that is, you will read with the goal of understanding the techniques and methods that permit writers to create their own unique vision and style, while just incidentally writing prose that dazzles and demands attention.
Wednesday, June 8, 2011
Occupational Handbook (Final Assignment)
Thursday, May 19, 2011
Your critical lens response
Friday, April 29, 2011
Vocabulary Words!
B: baffle, balmy, banish , betrothed , blasphemy , boisterous, boorish, brevity, buccaneer
C: callous, captivate , celestial, censure, chasm, chivalrous, clandestine, clemency , conciliatory, condescend
D: debilitate , decorum, degradation, delirium , delusion, deplore , depravity, depreciate, desolate, despicable
E: eccentricity, ecstasy, edifice , effigy , egotistical , elapse , elate, elixir, eloquence , emaciated
F: fastidious, felicity, fervent, fester, fidelity , filial, fluctuate, foible , foliage, formidable
G: garb, genteel, grandeur
H: haggard, haughty, humility , hypocritical
I: idiosyncrasy, ignominious, illuminate , imbecility, imbibe, immaculate, immolate , immure , immutable, impartial, impassable
J: jaunty, jest, jocular
K: kindle , knight
L: laborious , labyrinth , lackadaisical, lament, languish , laudable, lax, liquidate, lithe, livid
M: machination, malady , malefactor , malice, malicious, malignant, mandate , mangy, maudlin, meander, meddle
N: neophyte, nether, nocturnal, notoriety, novice , nuptials
O: obelisk, oblige , obliterate, oblivion, obnoxious , obscure , obsequious, obstinate, odious, ominous, omnipotent
P: palatable, palpitate, paltry, pandemonium, pantomime, papyrus , paragon, paramour , paroxysm , patriarch
Q: quail , quaint, quay , quell , quench, quiver
R: ramble, rant, rapture, ravage, ravenous, rectitude , relinquish, reminiscence , remorse, rendezvous
S: sagacious , sanction, sanctuary, sarcasm , satiate, saunter, scion, scruple, serenity, servile
T: taciturn , taint , talisman , tedious , temperament , tenacious, timidity , tranquility, transgression , traverse, trepidation
U: uncouth, undulate, unmitigated, unparalleled , unsullied , unveil , unwonted , urchin, usurp , utter
V: vacillate, vagabond , vagrant, vanquish , variegated, venal , venerable, venial , veracity, verdant, vicissitude
W: waddle, waft, wallow, wanton , wheedle, witticism, woe , writhe
Y and Z: yore, zealous , zephyr
Monday, March 21, 2011
Frankenfinal!
1) Choose a specific literary element (e.g., theme, characterization, point of view, etc.) or literary technique (e.g., symbolism, irony, figurative language, etc.) that Mary Shelley employs in the final chapter of Frankenstein. Using specific details from the chapter, in a well-developed paragraph, show how Shelley uses that element or technique to develop the chapter.
2) Write a two paragraph critical response (introductory paragraph and one body paragraph that backs up your thesis) in which you discuss the novel Frankenstein from the particular perspective suggested in the Critical Lens. In you essay you must first explain the meaning of the quote, then say whether you agree or disagree with it, and then state how the quote applies to the novel. Finally you must back up your viewpoint using specific references to appropriate literary elements from the novel.
The critical lens: “The difficulty in life is the choice…”-George Moore, The Bending of the Bough, 1900